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Slam poetry, gender-bent cast rejuvenate classic “Romeo and Juliet” story in WAVE Productions’ fall show

Allison+Towbes+rehearses+a+scene+from+the+upcoming+production+of+%E2%80%9CR%26J.%E2%80%9D+Towbes+stars+as+Juliet+in+the+gender-bent+production+adapted+from+the+Shakespearean+classic.
Allison Towbes rehearses a scene from the upcoming production of “R&J.” Towbes stars as Juliet in the gender-bent production adapted from the Shakespearean classic.

Allison Towbes rehearses a scene from the upcoming production of “R&J.” Towbes stars as Juliet in the gender-bent production adapted from the Shakespearean classic.

Katie Pach/Daily Senior Staffer

Katie Pach/Daily Senior Staffer

Allison Towbes rehearses a scene from the upcoming production of “R&J.” Towbes stars as Juliet in the gender-bent production adapted from the Shakespearean classic.

Sophie Mann, Copy Chief

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WAVE Productions’ “R&J” will seek to provide a new take on a traditionally heteronormative text when the new adaptation of “Romeo and Juliet” arrives at Shanley Pavilion on Thursday.

The production stars a female Romeo, features two queer protagonists and incorporates slam poetry written by Northwestern students.

Sophia Sinsheimer adapted and directs the production, and said the concept to rework the play came to her in what seemed like an epiphany.

The idea for the spoken word poetry came to me when I had a totally transcendent experience while watching ‘Lemonade’,” the Communication junior said. “I got to thinking that Shakespeare is its own form of poetry because spoken word has been traditionally developed as an art form for people whose voices traditionally don’t have space.”

The performance also features what Sinsheimer calls “queering the narrative,” a process of reworking a piece to to feature LGBTQ voices. Sinsheimer accomplished this by reworking the story to feature a queer couple instead of the heterosexual typical of the classical narrative.

Sinsheimer said she decided to tackle the project from a queer perspective because she thought it could help others figuring out their own identities find solace in the piece.

I had the idea to queer the narrative because I was grappling my own identity as a queer person … When I fell in love with a woman for the first time, it felt like Romeo and Juliet,” Sinsheimer said. “Maybe there will be some other people who can find some affinity with this piece in the same way that I do.”

Producer Meredith Mackey, a SESP sophomore, said she was drawn to this adaptation because it made the Shakespearean play more accessible. Helena Scholz-Carlson, who plays Romeo in the production, attested to this idea as well saying the new take on an old story made her step back and take a fresh look at the text.

Scholz-Carlson is no stranger to “Romeo and Juliet,” having directed and starred as Juliet in previous productions.

“It’s my first time I’ve gotten to play a queer woman since I realized I, myself, am queer.” the Communication junior said. “The text that has been added is beautiful and is extremely intelligent, the way the ideas that I think can sometimes lie under the surface of the Shakespearean text … become more explicit.”

In addition to “queering the narrative” to make the play more accessible for students, Sinsheimer said the performance is intended to serve as a place for straight allies and the queer community at NU to come together in light of the violence that has occurred this year.

Mackey highlighted after the shooting at Pulse Nightclub in Orlando this summer, a tragic queer love story reflected parts of LGBTQ history. This play is something the queer community needs in order to mourn and celebrate, she said.

In addition to engaging with the reality of tragedy, Sinsheimer said she intends for the play to fill a void with art, something she hopes others in the theater community will do more often.

“If something lights a fire in your belly and you feel the need to share that with other people, because maybe it lights a fire in their belly, too, then that makes for really compelling art,” she said. “That’s where this play is coming from.”

Email: sophiemann2018@u.northwestern.edu
Twitter: @sophiemmann

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