Walking out onto a glamorous navy and burgundy Persian rug, fusion horn band New Nostalgia began its April 17 show at Evanston’s Studio5 with an astounding trumpet solo from band member Connor Bernhard. This introduction was just a taste of the continued mastery that would follow. 

Formed in 2017, the nine-piece band is composed of three saxophones, a trombone, a trumpet, a guitar, a bass, keys and drums. They created an incredibly full sound, never leaving the audience needing more. 

As a saxophonist myself, I was truly excited for such a saxophone-forward band, with horns as the epicenter rather than just as flourishes in respect to the other instruments. 

From the beginning of the approximately two-hour show, it was difficult to take one’s eyes off of band leader and alto saxophonist Neil Carson, as his consistent dancing and headbanging — with a head full of long curls — set the tone for each song and encouraged audience members to match his energy. Carson’s stage presence and unmistakable enjoyment in music-making were highlights of the performance.

The band played a combination of covers and originals — my favorite cover was of Radiohead’s “Just.” Carson said it was a relatively new arrangement, but that notion couldn’t have been less obvious to the audience. Throughout the tune, the rhythm section added unique and intentional gaps and beat changes that evoked positive grimaces and whistles from the crowd. The ending was extravagant, punchy and clean, earning a round of roaring applause. 

New Nostalgia has mastered the art of balancing tension and release in their musicianship. Throughout the performance, that balance became remarkably clear, particularly in the original song, “One for All,” written by bassist Tim Seisser. The horns were in sync, never missing a beat, even in astoundingly technical licks. 

However, the peak of this piece was the solo battle between tenor saxophonist Kevin King and trombonist Matt Kowalski. Starting the section as two separate entities and ending as duet partners, the pair blended their sound beautifully and easily referenced other recognizable pieces. It’s evident how fluent the entire band is in the language of their respective instruments, but in this particular moment, it became indisputable. 

The rhythm section kept a tight groove during the show and worked well together. With seamless dynamic changes and wordless communication, they maintained the structure of each piece with artistry and ease. 

Closing the night with an arrangement of “Message In A Bottle” by The Police, New Nostalgia showcased every instrument, every intensely expressive aspect of their playing style and the band’s musical chemistry. Every moving part was distinct, while effortlessly blended. Solos were strong and intentional, adding a new life to the already familiar song. 

From “yacht-rock” originals to Sabrina Carpenter covers, New Nostalgia’s performance at Studio5 was one to be remembered. Their stage presence, musical knowledge and harmonious collaboration made for an excellent concert. 

The talent of each band member alone is extraordinary. Combined, they make an out-of-this-world band. 

Email: [email protected] 

X: @alexingvold

Instagram: @alexingvold22 

Related Stories:

— Jazz ʼCats: Local restaurants and venues featuring live jazz

— Snail Mail authentically yet nostalgically debuts new album ‘Ricochet’ at Chicago’s Riviera Theatre

— Japanese jazz-rock legend Masayoshi Takanaka electrifies crowd at first-ever Chicago performance