The Purple Crayon Players’ production of “Seussical the Musical” brings Dr. Seuss’ stories to life, exploring the power of imagination for those who dare to think.
The show premiered Friday evening in Norris University Center’s Louis Room for a two-day run.
The family-friendly musical includes scenes from Seuss’ stories like “Horton Hears a Who!” and “The Cat in the Hat.” It follows the stories of characters, including Horton the Elephant’s discovery of Whoville, JoJo’s conflict between reality and imagination, and Gertrude McFuzz’s infatuation with Horton.
Utilizing the lighting, set design, costume design and music, the show represented the youthful perspectives of a child’s imagination.
Communication freshman Sophia Gleeson said the team placed a big emphasis on engaging children in the musical. The setup included accommodated seating on the floor with cushions and blankets for children, as well as audience interactions.
“We reached out to a lot of community members and young kids in the area,” Gleeson said. “I hope they can see the power of imagination and what your thoughts can achieve.”
A pit band performed songs, including “Green Eggs and Ham” and “How Lucky You Are,” directed by Bienen sophomore Brandon Baade.
As a first-time conductor with just one full pit rehearsal, Baade said he depended on his familiarity with the musical to tie the music to the acting.
“I was in the rehearsal room every single day teaching the actors,” Baade said. “It’s like muscle memory at this point. We know our actors and where they’re taking time and how to anticipate that.”
Communication junior and co-Director Owen Polley said though there were difficulties managing an 80-person team, working with each individual member of the crew and cast.
Weinberg sophomore and co-producer Megan Delande said working with a huge team helped her to work with others as a leader while being a student.
In particular, she said the show aimed to increase inclusion and diversity among its cast and characters.
“We wanted to make sure that we honor Seuss’ stories but also make it our own,” Delande said. “We’re not relying on Seuss’ past as a writer but taking the stories and bringing the imagination to life.”
Polley said he hopes the musical can spread a message to audiences of diverse ages and backgrounds.
“I hope they take away that no matter what others think, your voice and imagination is the most important thing, whether you’re zero or 100 years old,” Polley said.
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