Gareth Edwards bit off more than he could chew with “The Creator,” a new addition to the man-versus-AI subgenre that features a number of new ideas –– but lackluster execution. The concept is...

The Monthly Within two hours, Sam Levinson’s “Malcolm & Marie” explores emotional warfare, ever changing dynamics and intimate moments — all between a cast of two people. Riding on...

“BlacKkKlansman” begins with a coup de grâce. We hear a staccato drum cadence over the opening credits, the sort that invokes “Apollo 13”; “Forrest Gump”; the entirety of Michael Bay’s...