Source: Bradley West
A group of Northwestern professors have created a podcast to function as a newsletter for sound professionals and students on campus, in anticipation of NU’s new graduate program in Sound Arts and Industries that starts September 2016.
The latest podcast profiles seven-time Academy Award-winning sound artist Gary Rydstrom, sound designer for “Jurassic Park,” “Titanic,” and “Star Wars: The Force Awakens.”
The group of professors, who calls themselves the Northwestern University SoundTank, launched the podcast in January. The series, which has released two podcasts, blends together interviews, audio tours and student work each month. The SoundTank is made up of a group of sound scientists, engineers, historians and artists.
“At Northwestern, we are uniquely positioned to bring all these people together,” said Communication Prof. Jacob Smith, director of the new graduate program. “There aren’t many programs that draw on top neuroscientists and radio, television and film that are (also) dynamic in terms of podcasting, along with sound design.”
The concept for the graduate program itself came together after several professors from different schools hosted the Lambert Family Communication Conference in November 2014, Smith said.
Rydstrom, who is profiled in the latest podcast, was the keynote speaker at the conference. Smith said Rydstrom’s interest and willingness to learn were the perfect example of why an integrated graduate sound program could be useful today.
“He wanted to talk more to the historians and sound scientists — the conversations could be inspiring for someone like (Rydstrom),” Smith said. “He’s someone who illustrates how these different skill sets can be combined to create a new kind of sound professional — not only a sound artist but someone interested in the latest ideas surrounding sound culture and science.”
The graduate program will integrate different areas of sound study through different programs and classes combining sound science, history, film and art design, Communication Prof. Neil Verma said.
Verma said the podcast functions as both a newsletter for the program and a showcase of unique work, and that it will change as the graduate program progresses and students learn experimental sound techniques. He added that it helps bring together professionals and puts scientific, sound history and design ideas into one accessible package.
“There is this artificial boundary between sound making and sound theorizing — we want to break the boundary down,” Verma said.
Communication Prof. Nina Kraus said she loved the approach of the podcast’s format.
“To me, what better way (is there) to communicate about sound than through sound, using sound as a medium?” she said.
As a sound scientist, Kraus said she thinks the SoundTank podcast, like the new graduate program, will be a training ground for sound experts to learn from one another regardless of their field of choice.
“We’re really in a position of leadership in terms of how sound is used in society and in scholarship for the future because we’re creating an opportunity for our students to learn about sound,” Kraus said.
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