Nathan Richards/Daily Senior Staffer
When the director of the film “Selma” visited campus Monday, she told the crowd of more than 700 there is a tendency to emphasize achievements of marginalized communities, which can distract from the pervasive problems of minority representation and leadership in media.
From racism in the United States to film production, director Ava DuVernay discussed a variety of topics Monday night after a showing of her film “Selma” at Alice Millar Chapel on the one-year anniversary of the first day of shooting the film.
Many films about the civil rights movement are from perspectives other than those fighting for their own rights, DuVernay said.
“Some of the controversy (around “Selma”) was that it was a different way of telling a civil rights story. It was a different way of telling a story about that movement more as liberators, as freedom fighters, as warriors than as beggars,” she said. “We are the center of our story.”
“Selma” is based on the 1965 voting rights march from Selma, Alabama, to Montgomery, which was led by civil rights leaders including Martin Luther King, Jr. and Hosea Williams. The cast includes award-winning actors including David Oyelowo as King and Oprah Winfrey as Annie Lee Cooper. The film was nominated for Best Picture at the Academy Awards and won Best Original Song at the Golden Globes for the song “Glory.”
DuVernay, known for directing TV shows and documentaries including “Venus Vs.” and an episode of “Scandal,” is the first black female director to have a film nominated for Best Picture at the Academy Awards.
After the screening, Medill Prof. Charles Whitaker, who is also a board member at Students Publishing Co., The Daily’s parent organization, moderated a Q&A session with DuVernay. Topics discussed included the changing role of women of color in entertainment, DuVernay’s personal journey in the film industry and her experience working on “Selma.” Audience members also asked her about the challenges of making a historically-based movie and working as an artist.
The film draws important parallels with contemporary events, DuVernay said, including the recent protests in Baltimore and the deaths of Eric Garner and Michael Brown.
“It feels there’s this echoing between the film in 1965 and (now),” DuVernay said. “It’ll be really interesting to see what art comes out of this time.”
The event was hosted by A&O Productions, the Multicultural Filmmakers Collective, Inspire Media and multiple University departments.
“Every year, we bring a spring speaker who comes from an underrepresented community and we bring them to talk about their identity and how that has affected their sort of path in the industry,” said Communication sophomore Danielle Harris, president of Multicultural Filmmakers Collective. “We collaborated because we thought we would be able to maximize both events and it worked out really well.”
The film was intentionally screened in Alice Millar Chapel for its connection to the content of the film, said Dan Hoffman, A&O’s co-director of films. One of Northwestern’s chaplains was in Selma as an activist for civil rights, Hoffman said. The space is also regularly used for Martin Luther King Jr. memorial services.
“This chapel has a lot of connections not only to Martin Luther King but also to Selma,” the Weinberg senior said. “And plus, this is such a striking, visual building it just seemed obvious this would be a great choice.”
Whitaker asked DuVernay for advice for aspiring filmmakers on how to become “the next Ava.”
“Don’t be the next anybody,” she said. “There’s no one path. There’s no right thing you have to do. You can change, you can move, you can always decide. Follow your passions.”
Email: [email protected]